冬至前戏班后台修补行头与清点箱笼的工笔画：后台一人补云肩、一人清点靴帽、孩子递线

场景设在冬至演出前灯火杂乱的戏班后台；画面定格冬至前戏班后台修补行头与清点箱笼的工笔画后台一人补云肩、一人清点靴帽、孩子递线，台口排练声从帘后传入的瞬间。比例定为 3:2，视线通过3:2 环境叙事构图，手部和关键器物在中景清楚可读，背景交代制度与场所抵达器物交接与手部动作。交付目标是地方历史专题展主画面。画面语言为古籍木刻式线条配淡彩套印，原创构图，不复制任何存世画作，重点是一致的时代器物、服饰、劳动动作和人物关系。整体只使用这一组光色：潮汐灰蓝、海盐白、芦苇金和一点救生橙；光线只来自天光、油灯或火盆，器物与服饰保持哑光和同一时代质感。动作阅读顺序：动作分层：前景清楚呈现「后台一人补云肩、一人清点靴帽、孩子递线」，中景以「台口排练声从帘后传入」交代结果，两层之间不插入其他事件。「冬至演出前灯火杂乱的戏班后台」中只突出「冬至前戏班后台修补行头与」和动作「后台一人补云肩、一人清点靴帽」「台口排练声从帘后传入」。文字仅按画面完全无字，不出现数字、品牌、签名或水印处理。动作相关材质：器物尺寸、握持方式和服饰结构符合所处时代。不出现影视盔甲、现代器物、朝代混搭、公众人物脸或水印。

At a theatre backstage full of work lamps before a winter-solstice show, a meticulous backstage painting of a troupe mending costumes and checking trunks before winter solstice performs this action: shows one person mending a shoulder cape, another counting boots and hats, and a child passing thread as rehearsal sound enters from beyond the curtain. Build the composition as a 3:2 environmental narrative with hands and essential tools readable in the middle plane and the setting explaining the institution, output in 3:2. Create the main image for a local history exhibition. Use old-book woodcut-like line with pale color registration, in an original composition that copies no surviving artwork; coherent period tools, clothing, labor gestures, and human relationships must remain clear and credible. Use only this color-light system: tidal blue gray, sea-salt white, reed gold, and one rescue orange accent; light comes only from daylight, oil lamps, or braziers, keeping tools and clothing matte and period-consistent. Expand only this action: Stage the action in two layers: show “shows one person mending a shoulder cape” clearly in the foreground, then use “another counting boots and hats, and a child passing thread as rehearsal sound enters from beyond the curtain” in the middle plane as the consequence, with no unrelated event between them. Inside “a theatre backstage full of work lamps before a,” emphasize only “a meticulous backstage painting of a troupe” and the connected actions “shows one person mending a shoulder cape” and “another counting boots and hats, and a child passing”. Typography: place no text, numerals, brands, signatures, or watermarks anywhere. Emphasize only this surface behavior: tool scale, handling, and garment construction must fit the period. Also apply this exclusion: Do not show cinematic armor, modern objects, mixed periods, public-figure likenesses, or watermarks. Final art direction: museum-grade historical gouache and fine ink line with coherent period material culture. Use this controlled palette as the dominant visual system: #4B3B32, #C2A56D, #27384B, #B64A38; preserve believable local material colors within it. Keep any text absent or minimal unless the source brief explicitly requires it; never add logos, signatures, or watermarks. Keep one unmistakable primary subject or information route and one readable visual action. Use disciplined negative space and avoid default perfect symmetry. Physical credibility is mandatory: correct gravity, contact shadows, material thickness, tool weight, joint loading, fabric tension, liquid direction, reflections, scale, and occlusion. Create an original visual with no resemblance to a public figure, copyrighted character, existing campaign, or living artist signature style. No unrelated decorative icons, floating objects, duplicated limbs, plastic gloss, waxy skin, synthetic collage artifacts, or AI watermarks. Return exactly one finished image composed for 3:2; no variants, process sheet, split panels, mockup frame, or contact sheet.