Lost and Found Poetry

Present “Lost and Found Poetry” as an independently printed 3:4 placard for public participation. Organize the narrative around lost-property tags hanging on empty shelving like lines of a poem, exposing material thickness and the contact surface instead of reducing opacity. Build the image with an asymmetric vertical composition, keeping supporting information beside its evidence. Typeset “Lost and Found Poetry” and “Record everyday life without consuming the place” accurately, then state “the old-station shelter” and “bring a photocopy of a photograph” in the information region. Keep supporting objects within label adhesive, pencil dates, and anonymous excerpts. Combine translucent drafting vellum layered over archival cotton paper and charcoal, ivory, verdigris, and coral pink without an all-over aging filter. Light only from low morning light near the horizon; object height controls shadow length, with no unmotivated glow. End at the paper trim with clear small copy. Omit QR codes, commercial marks, existing characters, travel montage, HUD graphics, and unjustified neon. For the final rendering, build the hero as a practical paper-and-object assembly: lost-property tags hanging on empty shelving like lines of a poem. Allow one partial crop on a secondary edge, but keep the transformed area complete and easy to inspect. Keep the information block visibly connected to the hero through alignment rather than arrows. Final art direction: editorial poster design with a disciplined grid and material-aware composition. Use this controlled palette as the dominant visual system: #F2EBDD, #243447, #C65D48, #D6A14B; preserve believable local material colors within it. Preserve the requested text hierarchy and wording as part of the design, but do not invent extra slogans, pseudo-text, logos, or watermarks. Keep one unmistakable primary subject or information route and one readable visual action. Use disciplined negative space and avoid default perfect symmetry. Physical credibility is mandatory: correct gravity, contact shadows, material thickness, tool weight, joint loading, fabric tension, liquid direction, reflections, scale, and occlusion. Create an original visual with no resemblance to a public figure, copyrighted character, existing campaign, or living artist signature style. No unrelated decorative icons, floating objects, duplicated limbs, plastic gloss, waxy skin, synthetic collage artifacts, or AI watermarks. Return exactly one finished image composed for 3:4; no variants, process sheet, split panels, mockup frame, or contact sheet.

呈现「失物招领诗会」的独立印刷招贴，比例 3:4，服务公共参与。围绕“失物标签像诗行悬在空架上”组织全部叙事，材料厚度与接触面清楚可见，不能靠降低透明度融合。画面结构使用偏心竖构图，次级内容贴近对应证据而不散落，让“失物标签像诗行悬在空架上”保持第一视觉中心。请准确排出「失物招领诗会」与「不消费地方，只记录生活」，并在信息区写明「老站候车棚」「可带照片复印件」。辅物控制在标签背胶、铅笔日期和匿名摘录三类以内；选择半透明硫酸纸叠压档案棉纸与炭黑、象牙白、铜绿与珊瑚粉，拒绝覆盖式旧化滤镜。光线只来自接近地平线的晨光，物件高度决定影子长度，不增加无来源辉光。成片在纸张裁切处结束，所有小字清楚。省略二维码、商业标识、既有角色、旅游拼贴、HUD 和无物理来源的霓虹，保持「失物招领诗会」的公共活动语气。