A Chair on the Move

Complete a 3:4 placard around “A Chair on the Move” without promotional sales language. Let the wear on one chair recording five journeys across different ground surfaces govern the image. Explain how the objects join before bending, occlusion, and shadow appear. Make image and typography share an asymmetric vertical composition; do not park text outside the artwork. Write “A Chair on the Move,” “Let small things be carefully seen,” “the north hall of the former waterworks,” and “check in ten minutes early” accurately, with no pseudo-text or extra slogan. Restrict secondary objects to directional arrows, handwritten slips, and material samples. Use woodcut linework on warm cotton paper to show process order and smoke gray, cream white, warning red, and night blue as the complete color system. Let a hooded overhead lamp unify temperature and direction while the space outside the hero remains low contrast. End at the paper trim with clear small copy. Omit QR codes, commercial marks, existing characters, travel montage, HUD graphics, and unjustified neon. For the final rendering, construct the hero from ordinary matter rather than digital spectacle: the wear on one chair recording five journeys across different ground surfaces. Use overlaps sparingly; each overlap should explain which piece sits above or below the other. Allow the paper grain to remain visible in open areas without turning it into an aging effect. Final art direction: editorial poster design with a disciplined grid and material-aware composition. Use this controlled palette as the dominant visual system: #F2EBDD, #243447, #C65D48, #D6A14B; preserve believable local material colors within it. Preserve the requested text hierarchy and wording as part of the design, but do not invent extra slogans, pseudo-text, logos, or watermarks. Keep one unmistakable primary subject or information route and one readable visual action. Use disciplined negative space and avoid default perfect symmetry. Physical credibility is mandatory: correct gravity, contact shadows, material thickness, tool weight, joint loading, fabric tension, liquid direction, reflections, scale, and occlusion. Create an original visual with no resemblance to a public figure, copyrighted character, existing campaign, or living artist signature style. No unrelated decorative icons, floating objects, duplicated limbs, plastic gloss, waxy skin, synthetic collage artifacts, or AI watermarks. Return exactly one finished image composed for 3:4; no variants, process sheet, split panels, mockup frame, or contact sheet.

以「一把椅子的旅行」为主题完成 3:4 招贴，避免商业促销语气。让“一把椅子的磨损记录五种地面旅程”成为唯一图像命题；先交代物件怎样相连，再表现弯折、遮挡和落影。主视觉和排版共同服从偏心竖构图，不要把文字贴在图像之外，让“一把椅子的磨损记录五种地面旅程”保持第一视觉中心。文字区域逐字呈现「一把椅子的旅行」「让微小的事被认真看见」「旧水厂北厅」「提前十分钟签到」，不生成伪字或额外口号。次级物件限定为导向箭头、手写纸条和材料样本。通过木刻线条与暖白棉纸表现工艺先后，整体色组为烟灰、奶油白、警示红与夜蓝。让带遮光罩的顶灯统一色温和影向，主物之外的区域维持低对比。成片在纸张裁切处结束，所有小字清楚。省略二维码、商业标识、既有角色、旅游拼贴、HUD 和无物理来源的霓虹。 五种地面依次为木板、碎石、旧砖、湿泥和水磨石，磨痕方向随拖行、停放与搬运发生具体变化。