a migration workshop turning broken umbrellas into bird shelters: opens a mended umbrella and lets the first tired bird land on its crossbar

The deliverable is a feature illustration for a nature-education workshop. Enter an umbrella shed by the sea wall during migration season and show only a migration workshop turning broken umbrellas into bird shelters as the subject opens a mended umbrella and lets the first tired bird land on its crossbar. Set the ratio to 1:1 and organize the camera through a square centered composition broken by one action direction, with no decorative symbols crowded around the subject. Choose coarse oil pastel over newsprint collage, with hand-torn edges and unreadable text fragments, and evaluate the result through paper fiber, hand-torn edges, layered shadow, and negative-space relationships. Limit illumination and color to sandstone, smoky teal, pine green, and amber highlights; light and dark emerge from layers and negative space in the chosen handmade medium, without plastic gloss or photographic flare. Emphasize only this surface behavior: retain handmade marks at subject edges and keep the contact point clear, without unrelated decoration. Arrange the action layers as follows: Keep the full action “opens a mended umbrella and lets the first tired bird land on its crossbar” in one continuous plane, with its contact point and result both visible. Let “a migration workshop turning broken umbrellas into” lead from “opens a mended umbrella and lets the first tired” to “opens a mended umbrella and lets the first tired”; the surroundings explain only “an umbrella shed by the sea wall during migration”. Visible text: place no text, numerals, brands, signatures, or watermarks anywhere. Final check: Characters must be original; avoid stiff anatomy, floating objects, oversaturated neon, and AI watermarks. Final art direction: original handmade mixed-media illustration with matte mineral pigments and visible paper fibers. Use this controlled palette as the dominant visual system: #D8C18E, #657A52, #6D6A63, #E6A07A; preserve believable local material colors within it. Keep any text absent or minimal unless the source brief explicitly requires it; never add logos, signatures, or watermarks. Keep one unmistakable primary subject or information route and one readable visual action. Use disciplined negative space and avoid default perfect symmetry. Physical credibility is mandatory: correct gravity, contact shadows, material thickness, tool weight, joint loading, fabric tension, liquid direction, reflections, scale, and occlusion. Create an original visual with no resemblance to a public figure, copyrighted character, existing campaign, or living artist signature style. No unrelated decorative icons, floating objects, duplicated limbs, plastic gloss, waxy skin, synthetic collage artifacts, or AI watermarks. Return exactly one finished image composed for 1:1; no variants, process sheet, split panels, mockup frame, or contact sheet.

按可发布标准完成自然教育工作坊主题插画。人物或对象是把破伞改造成候鸟驿站的迁徙工坊，工作地点为迁徙季海堤边的修伞棚，核心动作是撑开一把补过的旧伞，让第一只疲惫小鸟落上横杆。构图按方形中心构图被一条动作方向打破，主体周围不堆装饰符号执行，成片比例 1:1。采用粗颗粒油画棒覆盖新闻纸拼贴，边缘手撕且文字碎片不可读；纸纤维、手撕边缘、叠层阴影和留白关系必须清楚可信。光线与配色：砂岩色、烟青、松针绿和琥珀高光；亮暗由所选手工媒介的叠层和留白形成，不使用塑料高光或摄影光斑。物件表面只强调主体边缘保留手工媒介痕迹，动作接触处清楚，不增加无关装饰。镜头动作说明：动作分层：前景清楚呈现「撑开一把补过的旧伞」，中景以「让第一只疲惫小鸟落上横杆」交代结果，两层之间不插入其他事件。让「把破伞改造成候鸟驿站的迁」的「撑开一把补过的旧伞」直接导向「让第一只疲惫小鸟落上横杆」；背景只解释「迁徙季海堤边的修伞棚」。画面文字按画面完全无字，不出现数字、品牌、签名或水印执行。角色必须原创，避免僵硬肢体、漂浮物件、过饱和霓虹和 AI 水印。