a dawn editor proofreading sentences in window condensation: erases one excess condensation sentence and lets dawn illuminate the remaining punctuation

Build the composition as a square centered composition broken by one action direction, with no decorative symbols crowded around the subject, output in 1:1. The final frame serves as an original narrative picture-book spread. The central event is a dawn editor proofreading sentences in window condensation at an old window fogged on a winter morning, where the subject erases one excess condensation sentence and lets dawn illuminate the remaining punctuation. Use woodcut-like bold lines with two pale color registrations, leaving air in the black shapes and avoiding digital gradients; original forms, handmade medium edges, clear action, and restrained negative space must remain clear and credible. Materials touching the action must follow this rule: liquid flow, wet marks, and condensation follow gravity and temperature difference. Use only this color-light system: concrete gray, algae green, raincoat yellow, and natural skin tones; light and dark emerge from layers and negative space in the chosen handmade medium, without plastic gloss or photographic flare. Action direction: Keep the full action “erases one excess condensation sentence and lets dawn illuminate the remaining punctuation” in one continuous plane, with its contact point and result both visible. Clearly show “a dawn editor proofreading sentences in window,” “erases one excess condensation sentence and lets dawn illuminate,” and “erases one excess condensation sentence and lets dawn illuminate” together; keep “an old window fogged on a winter morning” as the real workplace, not a studio backdrop. Typography follows place no text, numerals, brands, signatures, or watermarks anywhere. Characters must be original; avoid stiff anatomy, floating objects, oversaturated neon, and AI watermarks. Final art direction: original handmade mixed-media illustration with matte mineral pigments and visible paper fibers. Use this controlled palette as the dominant visual system: #D8C18E, #657A52, #6D6A63, #E6A07A; preserve believable local material colors within it. Keep any text absent or minimal unless the source brief explicitly requires it; never add logos, signatures, or watermarks. Keep one unmistakable primary subject or information route and one readable visual action. Use disciplined negative space and avoid default perfect symmetry. Physical credibility is mandatory: correct gravity, contact shadows, material thickness, tool weight, joint loading, fabric tension, liquid direction, reflections, scale, and occlusion. Create an original visual with no resemblance to a public figure, copyrighted character, existing campaign, or living artist signature style. No unrelated decorative icons, floating objects, duplicated limbs, plastic gloss, waxy skin, synthetic collage artifacts, or AI watermarks. Return exactly one finished image composed for 1:1; no variants, process sheet, split panels, mockup frame, or contact sheet.

镜头采用方形中心构图被一条动作方向打破，主体周围不堆装饰符号，输出 1:1。交付目标是原创叙事绘本跨页。主体为校对窗上水汽句子的清晨编辑，位于冬日清晨起雾的旧窗，正在擦去一句多余水汽文字，让晨光把剩下标点照亮。媒介为木刻般的粗线与两次淡彩套印，黑块保持呼吸，不做数码渐变，重点控制原创造型、手工媒介边缘、清楚动作与克制留白。物件表面只强调液体流向、湿痕和冷凝遵循重力与温差。色光为水泥灰、藻绿、雨衣黄和自然肤色；亮暗由所选手工媒介的叠层和留白形成，不使用塑料高光或摄影光斑。动作层级：动作分层：前景清楚呈现「擦去一句多余水汽文字」，中景以「让晨光把剩下标点照亮」交代结果，两层之间不插入其他事件。看清「校对窗上水汽句子的清晨编」「擦去一句多余水汽文字」与「让晨光把剩下标点照亮」；场所仍为「冬日清晨起雾的旧窗」，不用摄影棚或抽象背景。可见文字：画面完全无字，不出现数字、品牌、签名或水印。角色必须原创，避免僵硬肢体、漂浮物件、过饱和霓虹和 AI 水印。